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  Genesis  
   
 
with Mrinal Da', Mr. Naseeruddin Shah & Mr. Om Puri.



   
with Mrinal Da' & Cinematographer Carlo Varini.
 
 
  Veteran journalist Late Mr. S.P. SINGH, Founder of 'AAJ TAK' News Channel introduced Pathik to great
Filmmaker Mr. MRINAL SEN and thus started Pathik's career in the film industry. He worked as an Assistant
Director with Mr. MRINAL SEN and also wrote the DIALOGUES with Mr. S.P. SINGH for the film 'GENESIS'.
This INDO-FRENCH Project was in The Official Selection of FESTIVAL DE CANNES'.
 
     
  Genesis Links :-
http://movies.nytimes.com/movie/120690/Genesis/details
https://wiki.indiancine.ma/wiki/Genesis
http://fr.wikipedia.org/wiki/Genesis_%28film,_1986%29
http://vufind.carli.illinois.edu/vf-uic/Record/uic_1812724
http://www.festival-cannes.com/en/archives/ficheFilm/id/835/year/1986.html
http://en.wikipedia.org/wiki/File:Genesis1f.jpg
 
 
 
'Sarfarosh'

His most acclaimed work has been
AAMIR KHAN's blockbuster 'SARFAROSH',
Directed by JOHN MATHEW MATTHAN.
He was the ASSOCIATE DIRECTOR, DIALOGUE WRITER.
Contributed to the Story & Screenplay.

 
Sarfarosh
http://www.imdb.com/title/tt0200087/
 
 
'Qayamat'

Pathik's DIALOGUES were well appreciated in another Blockbuster -
AJAY DEVGAN's 'QAYAMAT'
Directed by HARRY BAWEJA.



Qayamat: City Under Threat
http://www.imdb.com/title/tt0364621/
 
 
 
 
'Teesri Aankh'

Also wrote the DIALOGUES for
SUNNY DEOL's 'TEESRI AANKH'
Directed by HARRY BAWEJA.


 
Teesri Aankh: The Hidden Camera
http://www.imdb.com/title/tt0779768/
 
 
'Chaar Sahibzaade'

wrote DIALOGUES for 'Chaar Sahibzaade 3D'
Produced and Directed by HARRY BAWEJA
Film has also been made in Punjabi




http://www.imdb.com/title/tt4168188
 
 
 
with Parvez Jamal, Nisha Singh &
CharuDutt Dukhande on location in Kashmir.
 
'Mazhab'

Wrote SCREENPLAY, DIALOGUES and SONGS
for RAMNIK PATEL's - 'MAZHAB', directed
by PARVEZ JAMAL. One of the song was sung
by Legendary singer Shri MANNA DEY.
 
 
with Shri Manna Dey
duriing the recording.
 
 
With Pradeep ji & his daughter, Mitul ji during the shooting of the documentary
 
'Chal Akela'

His another acclaimed work is a DOCUMENTARY film 'CHAL AKELA' on the life of
'Kavi PRADEEP'
the great poet who inspired many to participate in the Indian Freedom Movement by his song...

"Aaj Himalaya ki choti se phir humne lalkara hai.
Door Hato Aye Duniya Walo..Hindustan hamara hai"

Documentary portrays how Pradeep ji
conceived many of his popular songs including the iconic...

 
 
 
"Aye mere watan ke logo..zara aankh mein bhar lo pani"

Pradeepji was honoured by the President of India with Dadasaheb Phalke Award (1998) for his countribution to Indian Cinema.
 
 
  He has written and Directed many ads, public service films,
documentaries and music videos including 'Koi to Baat hai'
of singer SADHNA SARGAM, music by SANDESH SANDALIYA,
Lyrics by FAIZ ANWAR, starring SHAHID KAPOOR.
 
 
'Bakkarwal
- Nomads From The Past'
Bakkarwal is the nomadic tribe of Kashmir.
Lived and travelled with them as a Muslim,
from their Winter Home - near Jammu - to their Summer Home
- Upper Himalayas - in Kashmir. This documentary made in journey depicts
the life journey of Bakkarwals - who sometimes float like the clouds and
sometimes flow like rivers - in mountains since time immemorial.
 
 
 
 
 
'Bandar-nama'

WROTE, PRODUCED and DIRECTED
a Television Programme on monkeys.
Anchored by Ms HEMA MALINI and
Mr. ANUPAM KHER, starring
SATISH KAUSHIK and others.
 
 
 
  'Bhoot-Bhabhoot'  
 
A still from the Film.
  A documentary about the faith healing practice in a
temple town of Rajasthan, where the 'evil spirits'
are supposedly punished and the possessed are
said to be 'set free'.
 
  'Nanda Devi Raj - Jat'  
 
with Unit at the 'Shila-Samudr' -Sea of Stones.
  EEvery 12 years a 'four horn' sheep is born in Garhwal. Hundreds of
Devotees follow the sheep from Nauti village right up to uppermost Himalyas, crossing the famous mystery lake of Roopkund at the altitude of 18000 ft.
The Documentary is a collage of
traditions, pilgrimage and adventure.
 
with the 4-Horn Sheep below the Trishul Peak.
 
 
 
 
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